Indian Classical Music Archive
A non-commercial cultural preservation initiative safeguarding historical recordings, private mehfils, rare gharana lineages, and documented 20th-century masters.
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Raga Bilaskhani Todi – Bilaskhani Todi — Banne Bani Shyam Ki
About the Raga
Raga Bilaskhani Todi is a morning raga of Hindustani classical music belonging to the Todi family. It has a deeply introspective and plaintive character, with komal Re, Ga and Dha and shuddha Ma. The raga is traditionally associated with the late-morning period and offers considerable scope for expressive melodic development.
Attribute Details Raga Bilaskhani Todi Thaat Todi Jati Audav–Sampurna Aroha S r g P d S′ Avaroha S′ n d P g r S Vadi Dha Samvadi Ga Komal Swaras Re, Ga, Dha Time Morning -
Raga Bhairavi – Dhamar — Daalat Kaisan Pichkari
About the Raga
Raga Bhairavi is one of the most widely performed ragas of Hindustani classical music. Its basic form uses komal Re, Ga, Dha and Ni and is traditionally associated with the morning. Bhairavi also appears in various forms of semi-classical and classical repertoire, including Dhamar, where the raga is treated with greater emphasis on rhythmic and expressive presentation.
Attribute Details Raga Bhairavi Thaat Bhairavi Jati Sampurna–Sampurna Aroha S r g M P d n S′ Avaroha S′ n d P M g r S Vadi Ma Samvadi Sa Komal Swaras Re, Ga, Dha, Ni Time Morning / Concert Finale -
Raga Bhairavi – Ka Karu Sajani
About the Raga
Raga Bhairavi is one of the most widely performed ragas of Hindustani classical music. Its basic form uses komal Re, Ga, Dha and Ni and is traditionally associated with the morning. It is also extensively used in thumri and other light-classical forms, where performers may introduce additional swaras according to the melodic treatment.
Attribute Details Raga Bhairavi Thaat Bhairavi Jati Sampurna–Sampurna Aroha S r g M P d n S′ Avaroha S′ n d P M g r S Vadi Ma Samvadi Sa Komal Swaras Re, Ga, Dha, Ni Time Morning / Concert Finale -
Raga Bhairavi
Bhairavi — Payal Mori Baaje Ri
About the Raga
Raga Bhairavi is one of the most widely performed ragas of Hindustani classical music. Its basic form uses komal Re, Ga, Dha and Ni and is traditionally associated with the morning. Bhairavi has an especially strong presence in thumri and other light-classical forms, where performers may use additional swaras for expressive effect.
Attribute Details Raga Bhairavi Thaat Bhairavi Jati Sampurna–Sampurna Aroha S r g M P d n S′ Avaroha S′ n d P M g r S Vadi Ma Samvadi Sa Komal Swaras Re, Ga, Dha, Ni Time Morning / Concert Finale -
Raga Bhairavi
Bhairavi — Baat Chalat Nahi
About the Raga
Raga Bhairavi is one of the most widely performed ragas of Hindustani classical music. Its basic form uses komal Re, Ga, Dha and Ni and is traditionally associated with the morning. Bhairavi is particularly prominent in thumri and other light-classical forms, where performers often use additional swaras to enrich the melodic expression.
Attribute Details Raga Bhairavi Thaat Bhairavi Jati Sampurna–Sampurna Aroha S r g M P d n S′ Avaroha S′ n d P M g r S Vadi Ma Samvadi Sa Komal Swaras Re, Ga, Dha, Ni Time Morning / Concert Finale -
Raga Bhairavi
Aaj Radha Brij Ko Chali
About the Raga
Raga Bhairavi is one of the most widely performed ragas of Hindustani classical music. Its basic form uses komal Re, Ga, Dha and Ni, and it is traditionally associated with the morning. Bhairavi is also extensively used in thumri, dadra, bhajan and other lighter forms, where additional swaras may be introduced according to the melodic treatment.
Attribute Details Raga Bhairavi Thaat Bhairavi Jati Sampurna–Sampurna Aroha S r g M P d n S′ Avaroha S′ n d P M g r S Vadi Ma Samvadi Sa Komal Swaras Re, Ga, Dha, Ni Time Morning / Concert Finale -
Raga Bhairavi
Bhairavi — Thumri — Barajori Nahi Re
About the Raga
Raga Bhairavi is one of the most widely performed ragas of Hindustani classical music and is especially prominent in lighter classical forms such as thumri, dadra and bhajan. It uses komal Re, Ga, Dha and Ni in its basic form, although performers often introduce other swaras in lighter presentations. Bhairavi is traditionally associated with the morning and is also commonly performed at the conclusion of a concert.
Attribute Details Raga Bhairavi Thaat Bhairavi Jati Sampurna–Sampurna Aroha S r g M P d n S′ Avaroha S′ n d P M g r S Vadi Ma Samvadi Sa Komal Swaras Re, Ga, Dha, Ni Time Morning / Concert Finale -
Raga Bageshri
About the Raga
Raga Bageshri is a major Hindustani raga traditionally associated with the late evening and night. It is known for its romantic, introspective and deeply expressive character, with a melodic framework that gives considerable scope for lyrical elaboration.
Field Details Raga Bageshri Tradition Hindustani Classical Time Late Evening / Night Artist Ajoy Chakraborty About the Artist
Pandit Ajoy Chakraborty is a prominent Hindustani classical vocalist associated with the Patiala tradition and known for his extensive repertoire and expressive singing.
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Raga Bhairavi
About the Raga
Raga Bhairavi is one of the most widely performed ragas in Hindustani music. Although traditionally associated with the morning, it is also frequently performed as a concluding raga and in lighter classical forms. Its expressive use of komal notes gives it a characteristic plaintive and devotional quality.
Field Details Raga Bhairavi Composition Yaad Piya Ki Aaye Form Vocal Tradition Hindustani Classical Time Morning / Concert Conclusion About the Artist
Pandit Ajoy Chakraborty is a prominent Hindustani classical vocalist associated with the Patiala tradition, known for his extensive repertoire and expressive vocal style.
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Raga Bhairavi
About the Raga
Raga Bhairavi is one of the most widely performed ragas of Hindustani classical music. Traditionally associated with the morning, it is also frequently presented toward the conclusion of a concert and in lighter classical forms. Its use of komal Re, Ga, Dha and Ni gives it a distinctive expressive and devotional character.
Field Details Raga Bhairavi Form Vocal Tradition Hindustani Classical Time Morning / Concert Conclusion About the Artist
Pandit Ajoy Chakraborty is a prominent Hindustani classical vocalist associated with the Patiala tradition and known for his extensive repertoire across khayal and other vocal forms.